Subversive Interventions in Socio-spatial Constructions in The Voyage Out
Hacettepe University Journal of the Faculty of Letters, Volume 42, Issue 1 (2024) pp. 139–151
- 2024
- English
- doi.org/10.32600/huefd.1563410
This record comes from the journal's DergiPark archive; original page: DergiPark
Abstract
Throughout The Voyage Out (1915), as in its earliest (unpublished) version, Melymbrosia (written over several years up to 1912) (De Salvo, 2004, p. xix), Virginia Woolf presents a consistently and insistently critical depiction of the social, physical, and mental spaces. This paper highlights how the novel both illustrates and critiques the spatial norms and practices established by the prevailing social systems that governed the creation and utilization of lived space around the turn of the century. Woolf employs her fiction to explore how, despite the discriminatory regulation of places, social space is heterogeneous, varied, and dynamic, which aligns with the arguments of Lefebvre, Foucault, and Tuan. Bachelard is also referred to as a mouthpiece for the gendered norms of the time with regards to spatial thinking. Extended to sites beyond the domicile and the individual, the narrator’s comments, especially those mediated through the female focalizers, present differing spatial experiences that relate to and undermine this discourse and its related classist, patriarchal and imperialist ideology.
Abstract (Turkish, translation)
The Voyage Out Romanında Sosyo-mekansal Düzene Yıkıcı Müdahaleler
Virginia Woolf, The Voyage Out (1915) romanı boyunca, tıpkı ilk (yayınlanmamış) versiyonu olan Melymbrosia’da (1912’ye kadar birkaç yıl boyunca yazılmıştır) (De Salvo, 2004, s. xix) olduğu gibi, sosyal, fiziksel ve zihinsel alanların sürekli ve ısrarla eleştirel bir tasvirini sunmaktadır. Bu çalışma, romanın hem dönemin sosyal sistemleri tarafından oluşturulan ve yaşanılan alanın yaratımını ve kullanımını yöneten mekansal normları ve uygulamaları gösterdiğini hem de eleştirdiğini vurgulamaktadır. Woolf, kurgusu aracılığıyla, mekanların ayrıştırıcı düzenlemelerine rağmen sosyal alanın heterojen, çeşitli ve dinamik olduğunu gösterir. Bu yaklaşım, Lefebvre, Foucault ve Tuan’ın argümanlarıyla uyumludur. Bu çalışmada Bachelard da mekansal düşünce konusundaki cinsiyet normlarının bir temsilcisi olarak bahsedilmektedir. Ev, vatan ve birey ötesindeki alanlara genişletilen anlatıcının yorumları, özellikle de kadın karakterlerin bakış açılarıyla iletilenler, farklı mekansal deneyimleri sunar ve mevcut sınıfsal, ataerkil ve emperyalist ideolojilere karşı çıkar.
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References
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Cite this publication
APA 7
Özkaya, R., & Sönmez, M. J. (2024). Subversive Interventions in Socio-spatial Constructions in The Voyage Out. Hacettepe University Journal of the Faculty of Letters, 42(1), 139–151. https://doi.org/10.32600/huefd.1563410
BibTeX
@article{ozkaya2024subversive,
author = {{\"O}zkaya, Rana and S{\"o}nmez, Margaret J.m.},
title = {{Subversive Interventions in Socio-spatial Constructions in The Voyage Out}},
journal = {Hacettepe University Journal of the Faculty of Letters},
volume = {42},
number = {1},
pages = {139--151},
publisher = {Hacettepe {\"U}niversitesi},
year = {2024},
month = {10},
issn = {1301-5737},
doi = {10.32600/huefd.1563410},
url = {https://hacettepe.hbtech.com.tr/en/publication/subversive-interventions-in-socio-spatial-constructions-in-the-voyage-out},
language = {en},
keywords = {British and Irish Language, Literature and Culture},
abstract = {Throughout The Voyage Out (1915), as in its earliest (unpublished) version, Melymbrosia (written over several years up to 1912) (De Salvo, 2004, p. xix), Virginia Woolf presents a consistently and insistently critical depiction of the social, physical, and mental spaces. This paper highlights how the novel both illustrates and critiques the spatial norms and practices established by the prevailing social systems that governed the creation and utilization of lived space around the turn of the century. Woolf employs her fiction to explore how, despite the discriminatory regulation of places, social space is heterogeneous, varied, and dynamic, which aligns with the arguments of Lefebvre, Foucault, and Tuan. Bachelard is also referred to as a mouthpiece for the gendered norms of the time with regards to spatial thinking. Extended to sites beyond the domicile and the individual, the narrator's comments, especially those mediated through the female focalizers, present differing spatial experiences that relate to and undermine this discourse and its related classist, patriarchal and imperialist ideology.},
affiliation = {TOBB EKONOM{\.I} VE TEKNOLOJ{\.I} {\"U}N{\.I}VERS{\.I}TES{\.I} and ORTA DO{\u{G}}U TEKN{\.I}K {\"U}N{\.I}VERS{\.I}TES{\.I}}
}
RIS
TY - JOUR AU - Özkaya, Rana AU - Sönmez, Margaret J.m. TI - Subversive Interventions in Socio-spatial Constructions in The Voyage Out T2 - Hacettepe University Journal of the Faculty of Letters VL - 42 IS - 1 PY - 2024 DA - 2024/10/08/ SP - 139 EP - 151 PB - Hacettepe Üniversitesi SN - 1301-5737 DO - 10.32600/huefd.1563410 UR - https://hacettepe.hbtech.com.tr/en/publication/subversive-interventions-in-socio-spatial-constructions-in-the-voyage-out AB - Throughout The Voyage Out (1915), as in its earliest (unpublished) version, Melymbrosia (written over several years up to 1912) (De Salvo, 2004, p. xix), Virginia Woolf presents a consistently and insistently critical depiction of the social, physical, and mental spaces. This paper highlights how the novel both illustrates and critiques the spatial norms and practices established by the prevailing social systems that governed the creation and utilization of lived space around the turn of the century. Woolf employs her fiction to explore how, despite the discriminatory regulation of places, social space is heterogeneous, varied, and dynamic, which aligns with the arguments of Lefebvre, Foucault, and Tuan. Bachelard is also referred to as a mouthpiece for the gendered norms of the time with regards to spatial thinking. Extended to sites beyond the domicile and the individual, the narrator’s comments, especially those mediated through the female focalizers, present differing spatial experiences that relate to and undermine this discourse and its related classist, patriarchal and imperialist ideology. KW - British and Irish Language KW - Literature and Culture LA - en AD - TOBB EKONOMİ VE TEKNOLOJİ ÜNİVERSİTESİ AD - ORTA DOĞU TEKNİK ÜNİVERSİTESİ ER -